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Microdrama in 18 languages.

18
languages
19
language versions

Vertical microdrama is the highest-volume format in localization, and the one where consistency fails first. We localize microdrama for leading short-form platforms in 18 languages and 19 language versions, with one cast and one glossary across the run.

Volume is the whole problem.

A microdrama season is hundreds of deliverables, each with its own deadline, on a release schedule that does not wait.

  • Voice drift

    A lead voice changes at episode sixty because the performer became unavailable.

  • Name drift

    A character name gets pronounced two ways.

  • Level drift

    Loudness shifts between batches.

By episode two hundred the series sounds like three productions, and no single episode is at fault. A multi-vendor approach makes that certain.

Decide once, hold for the run.

A lead who can commit to forty episodes of a two-hundred-episode series is not cast, however good the audition.

  • Cast for the full run: availability confirmed across the expected episode count first
  • Series bible from episode one: names, pronunciation, forms of address, phrases, levels, music usage
  • Same reviewers throughout: drift caught by people who remember episode nine
  • Parallel teams, one standard: one glossary and cast, without lengthening the schedule
  • Timing solved in the script: length expansion handled in adaptation, not by speaking faster
Team A
Team B
Team C

Delivery

Parallel teams, one glossary, one cast, sustained across the whole run.

What was delivered.

18 languages:

  • Hindi
  • Bengali
  • Tamil
  • Telugu
  • Kannada
  • Malayalam
  • Marathi
  • Gujarati
  • Punjabi
  • Haryanvi
  • English
  • Korean
  • Indonesian
  • Arabic

Platforms:

  • Kuku TV
  • RIGI
  • ShareChat MOJ (Quick TV)
  • Eloelo (StoryTv)
  • Flick TV
  • Dashreel

English counts once as a language, though two English versions were delivered. That is the difference between 18 languages and 19 versions.

Scaling a microdrama catalog?